This year we have been overwhelmed by the number of phenomenal entries for the Bridgeman Studio Award competition 2016. From photography to painting and detailed illustrations, artists from all across the globe have used a wide variety of media to truly convey a ‘night’ to remember. We received nearly 1000 amazing entries and deciding a winner will definitely be a challenge!
Ahead of the final judging process, the Bridgeman Studio team discuss their highlights from the competition and some of the shortlisted artists:
‘We’ve run the competition for three years now, and have been lucky enough to partner with Creative Review each time. This year, we’ve partnered with The Borough Press, an imprint of Harper Collins to offer a £1000 book cover commission.
I have so enjoyed the two months of this year’s competition. Seeing such talent entering the competition each day has been a truly creative inspiration.’
Lucy Innes Williams – Bridgeman Artists Manager
‘I was overwhelmed by the response to the competition – We had over 900 entries in total! The number of entries, range of artistic styles and the world-wide reach of this year’s competition has been incredible.
It was really tricky narrowing them down to a shortlist, but we managed to get it down to 80 wonderful entries from artists who took the competition brief and really ran with it, all creative guns blazing!’
Charlotte Proctor Smith – Bridgeman Studio Executive
Esthera Preda
‘We enjoyed Esthera’s work a lot. The space surrounding the central motif, and the unsettling idea of a garden growing in one’s head is far-reaching and symbolic of night-time dreams.’
‘Blue on dark blue is a bold choice for an image- but the tonal contrast works perfectly alongside the motif of stars, employed as effective props within the design.’
‘Noir motifs hint at a time and place for activities that should definitely only take place of night. We enjoyed the strong, Americana-pop images here.’
‘This was one of the images we received that made us really smile. We loved the shapes, textures, the trees, but what we really loved was the wicked look of the robber in the night.’