From the moment of her accession in February 1952, Queen Elizabeth II has been subjected to relentless visual scrutiny and has been one of the most depicted women in the world. Take a look at a selection of painted portraits of Her Majesty through the ages, from the 50s to the present day and discover how the artists have managed to capture her character and importance.
1950s, 1960s
During her first decade on the throne, press and studio photographers and painters emphasised Elizabeth’s youth, elegance and glamour.
Portrait of Queen Elizabeth II, when Duchess of Edinburgh, 1950 (oil on canvas), Oswald Hornby Joseph Birley (1880-1952) / Private Collection / Photo © Philip Mould Ltd, London
H.M. Queen Elizabeth II (oil on canvas), James Gunn (1893-1964) / Royal Hospital Chelsea, London, UK
Portrait of Queen Elizabeth II wearing coronation robes and the Imperial State Crown, Burgh, Lydia de (1923-2007) / Government of Northern Ireland, Stormont, N. Ireland
Her Majesty Queen Elizabeth II (b.1926) 1959 (oil on canvas), Denis Quinton Fildes (1889-1975) / Gurkha Museum, Winchester, England
Queen Elizabeth II, 1965, Peter George Greenham (1909-92)
1970s, 1980s
During this era images of the Queen became increasingly informal and relaxed. However, the first public appearances of Lady Diana Spencer at the start of the 80s consequently made the press more intrusive and more probing into the public image of royalty.
‘I want to be as famous as The Queen of England’ – Andy Warhol
Portrait of Her Majesty Queen Elizabeth II (b.1926), 1974 (oil on panel), Norman Hepple / Private Collection / Photo © Philip Mould Ltd, London
HM Queen Elizabeth II, late 1970s (oil on canvas), Poole, David (b.1931) / Herbert Art Gallery & Museum, Coventry, UK
Queen Elizabeth II of the United Kingdom, from ‘Reigning Queens’, 1985 (colour screenprint on Lenox museum board), Andy Warhol (1928-87) / Private Collection / Photo © Christie’s Images
1990s
The depictions of the Queen grew more diverse in the 1990s and suggest the struggle for identity that confronted the royal family. The impression of disintegration culminated in Princess Diana’s tragic death in 1997 which provoked fresh speculation about the state and future of the monarchy.
The paintings and photographs produced during this time convey a startling spectrum of implications, ranging from Christian Furr’s poised image of the Queen to Justin Mortimer’s fragmented portrait.
HM Queen Elizabeth II, 1995 (oil on canvas), Christian Furr / Private Collection
Her Majesty the Queen, 1996 (oil on canvas), Susan Ryder / Royal Automobile Club, Pall Mall, London
Queen Elizabeth II (b.1926), 1998 (oil on canvas), Andrew Festing (b.1941) / Royal Hospital Chelsea, London, UK
Portrait of Queen Elizabeth II (b.1926) 1998 (oil on canvas), Justin Mortimer (b.1970) / RSA, London, UK
2000s +
At the beginning of the twenty-first century a changed world gave rise to the question: what does the Queen now represent?
Lucian Freud’s portrait, which was deemed controversial, presents a characteristically unflinching view of his sitter. Unlike major artists before him, Freud was not commissioned to paint the portrait of his monarch: he had to ask. Nevertheless the Queen agreed and over a 19-month period, Britain’s monarch sat for Britain’s painter. His depiction has received mixed criticism – some finding it refreshingly ‘honest’ while others regard it as ‘unflattering’.
Interior of Lucian Freud’s studio with ‘H. M. Queen Elizabeth II’, 2001 (photo), David Dawson (b.1960)
Though the many responses to the Queen’s image differ, a single impression emerges: that of an enduring presence while those around her continue to confront an uncertain future. What’s on the cards?
Elizabeth II, 2015 (gouache on paper), Holly Frean
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